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Run time:
78 min.
| USA
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Language:
English
| color
George Baxter is an idealistic young screenwriter whose dreams of writing nonviolent movies are ruining his career. But when George mysteriously discovers a handgun on his doorstep, his fortunes suddenly change.
George grows intrigued with the gun, even seduced by it, and his strength confidence soar as women begin vying for his attention and a powerful studio head promises to produce his nonviolent screenplay. Of course George decides to keep the gun, secretly reveling in its power, but when he’s attacked by a jealous rival, his fortunes reverse. First, his warning shot ricochets and strikes the attacker in the back. Then, to make matters worse, police trace the ballistics to a serial killer wanted for nine brutal murders. And so, our poor peace-loving hero goes on the run, embarking on a wild comedy of errors revealing the truth about guns, secret identities, and big box office. Festivals screened at include: Woodstock Film Festival Arlene's Grocery Picture Show |
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¤12.99 - DVD
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¤2.99 - Portable Definition
File: 617MB MPG4 at 368x272
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¤7.99 - DVD Definition
File: 1.43GB MPG4 at 640x480
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Cast & Crew
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Audience Buzz
1,233 people viewed this page
3 people reviewed this film
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The featured review is chosen at random and contributed by an audience member. Click the reviews tab above to read all the reviews for this film, or register to write your own review. |
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11:27 AM
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Better than a train wreck! Quirky. Gritty. Funny. And it moves, from the first frame to the last. The story totally drives each character to discover how gaining or loosing a handy little piece (firearm) will alter their sensibilities: aggressiveness to passivity; confidence to desperation; and all vice versa. Some overacting, and convenient characters and plot points, are forgivable... if not somehow necessary to the feel and style of the film. And as events unfolded, I constantly wondered "What's next?", which was amusingly paid off each time. It has an intimate authenticity without feeling dated -- especially with such a timeless subject as violence -- and the "circusy" black-and-white montage transitions just tickled my fancy. Although the conclusion didn't quite feel right, it was still lots of fun, really.
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